Ein Glossar fürs Archiv

Inhaltsverzeichnis

A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z

0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9


A
AAC (Advanced Audio Coding)
ACES (Academy Color Encoding System)
additive Farbmischung
AVI (Audio Video Interleave)
AXF (Archive eXchange Format)
B
Bit-Tiefe
BPG (Better Portable Graphics)
BWF (Broadcast Wave Format)
C
CineForm
Cineon
CMY (Cyan Magenta Yellow)
Codec
Container
Datenkompression
DCDM (Digital Cinema Distribution Master)
DCP (Digital Cinema Package)
DCP-o-matic
Dirac
DNG (Digital Negative)
Avid DNxHD (Digital Nonlinear Extensible High Definition)
Avid DNxHR (Digital Nonlinear Extensible High Resolution
DPX (Digital Picture Exchange)
DSM (Digital Source Master)
E
EMBL (Extensible Binary Meta Language)
F
Farbraum
Farbunterabtastung
FFmpeg
FFV1 (FFmpeg Video Codec 1)
FLAC (Free Lossless Audio Codec)
G
Gammakorrektur
H
H.264
H.265
HEVC (High Efficiency Video Coding)
HuffYUV
I
IMF (Interoperable Master Format)
J
JPEG 2000
K
Kompression
L
Lagarith
LPCM (Linear Pulse-Code Modulation)
LTFS (Linear Tape File System)
LTO (Linear Tape-Open)
LUT (Lookup-Tabellen)
M
MagicYUV
Matroska
MD5 (Message-Digest Algorithm 5)
MKV
MOV
MP4 (MPEG-4 Part 14)
MXF (Material eXchange Format)
N
Normlicht
NTSC (National Television System Committee)
NUT
O
OCIO (OpenColorIO)
Ogg
OpenDCP
OpenEXR
P
PAL (Phase Alternating Line)
PCM (Pulse-Code Modulation)
Pixelseitenverhältnis
Apple ProRes 422
Apple ProRes 4444
Q
QuickTime File Format
R
Recommendation ITU-R BT.601 («Rec. 601»)
Recommendation ITU-R BT.709 («Rec. 709»)
Recommendation ITU-T BT.2020 («Rec. 2020»)
RGB (Red Green Blue)
Rohdaten
S
SECAM (Séquentiel couleur à mémoire)
SHA (Secure Hash Algorithm)
subtraktive Farbmischung
T
Theora
TI/A (Tagged Image for Archival)
TIFF (Tagged Image File Format)
V
VC-5
Vorbis
Vorführgeschwindigkeit
W
WAVE (Waveform Audio File Format)
X
XYZ
Y
Y′CBCR
Y′CGCO
Y′COCG
Y′DBDR
Y′IQ
Y′PBPR
Y′UV

4
4:1:1
4:2:0
4:2:2
4:4:4
480i
5
576i

2017–07–23